John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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John William Waterhouse Saint Eulalia oil painting


Saint Eulalia
Saint Eulalia 1885
Painting ID::  61553
John William Waterhouse
Saint Eulalia
Saint Eulalia 1885
   
   
     

John William Waterhouse Magic Circle oil painting


Magic Circle
Magic Circle 1886
Painting ID::  61554
John William Waterhouse
Magic Circle
Magic Circle 1886
   
   
     

John William Waterhouse The Lady of Shalott oil painting


The Lady of Shalott
The Lady of Shalott 1888
Painting ID::  61555
John William Waterhouse
The Lady of Shalott
The Lady of Shalott 1888
   
   
     

John William Waterhouse Cleopatra oil painting


Cleopatra
Cleopatra 1888
Painting ID::  61556
John William Waterhouse
Cleopatra
Cleopatra 1888
   
   
     

John William Waterhouse Ophelia oil painting


Ophelia
Ophelia 1889
Painting ID::  61557
John William Waterhouse
Ophelia
Ophelia 1889
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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